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Tom Cruise Knight And Day Trailer

Written By Sunday, July 17, 2022 Add Comment Edit

2010 motion-picture show past James Mangold

Knight and Day
Knight and day 09.jpg

Theatrical release affiche
Directed past James Mangold
Written by Patrick O'Neill
Produced by
  • Cathy Konrad
  • Todd Garner
  • Steve Pink
Starring
  • Tom Cruise
  • Cameron Diaz
  • Peter Sarsgaard
  • Viola Davis
  • Jordi Mollà
  • Paul Dano
Cinematography Phedon Papamichael
Edited by
  • Michael McCusker
  • Quincy Z. Gunderson
Music by John Powell

Production
companies
  • Regency Enterprises
  • Dune Entertainment
  • New Regency[ane]
  • Pink Automobile[1]
  • Todd Garner Productions[1]
  • Tree Line Film[one]
Distributed by 20th Century Fox

Release dates
  • June sixteen, 2010 (2010-06-16) (Seville)
  • June 23, 2010 (2010-06-23) (United States)

Running time

 109 minutes[2]
State The states
Linguistic communication English language
Upkeep $117 million[3]
Box role $262 million[three]

Knight and Solar day is a 2010 American action comedy film directed by James Mangold and starring Tom Cruise and Cameron Diaz. The film was the second on-screen collaboration of Cruise and Diaz, following the 2001 film Vanilla Sky.[4] Diaz plays June Havens, a classic car restorer who unwittingly gets caught up with the eccentric secret agent Roy Miller, played by Prowl, who is on the run from the CIA.

The film's investors commencement funding costs past paying Cruise a lower accelerate fee and providing him a share of revenue simply after the financiers were repaid their investment in the production.[5] Filming took identify in several locations, mainly in several cities located in Massachusetts, while other scenes were filmed in Kingdom of spain and parts of Austria and Jamaica.

Knight and Day was released in the Usa on June 23, 2010. The film received mixed reviews from film critics, with praise for the performances of Cruise and Diaz but criticism was aimed at its script.[two] [six] It grossed over $261 million worldwide, recouping its $117 million budget.

The film was remade in Bollywood as Bang Bang!, released Oct 2, 2014, with Hrithik Roshan and Katrina Kaif in the lead roles.[7] [8]

Plot [edit]

Returning home to Boston from buying car parts in Wichita, June Havens collides with Roy Miller at the airdrome, twice, and is bumped to a later flight. CIA Agent John Fitzgerald, assertive she works with Roy, puts her back on the aeroplane. While she is in the plane restroom, Roy subdues the passengers and flight coiffure, agents sent by Fitzgerald, and crash-lands the aeroplane in a cornfield. Drugging the shocked June, he warns that agents will come after her.

Waking at dwelling, June prepares for her sister Apr's wedding, and learns she wants to sell their male parent's 1966 Pontiac GTO tri-power, which June had planned to restore as a wedding gift. She is picked upward by Fitzgerald and his agents. Roy appears, killing numerous agents in a highway chase and rescuing her. She flees to her ex-boyfriend Rodney, a fire-eater, earlier Roy arrives and pretends to take June hostage, shooting Rodney in the procedure.

Roy convinces June she is safer with him, and reveals that he has the Zephyr, a perpetual energy battery; he had been assigned to guard its inventor, Simon Feck, until Fitzgerald tried to steal the battery, framing Roy. In Brooklyn, June and Roy find Feck has gone into hiding but left Roy a inkling that he is in the Alps. They are attacked by henchmen sent by Spanish arms dealer Antonio Quintana. Drugged once again, June drifts in and out of consciousness as they are captured and then escape to Roy's off-the-grid island. Accepting a telephone call from her sister, June accidentally leads Quintana's men to the hideaway. Escaping Quintana's unmanned aerial assault vehicle in a helicopter, Roy knocks June out to circumvent her fright of flying.

June wakes up aboard a train in Austria, where Roy has reunited with Simon, and they manage to impale Bernard, an assassin hired by Quintana. Afterwards checking into a hotel in Salzburg, June follows Roy to a coming together with Naomi, Quintana'south henchwoman, where he offers to sell the Zephyr.

Fitzgerald and CIA Director Isabel George find June and reveal Roy used her at the airport to smuggle the Zephyr past security. Heartbroken, June leads them to the hotel. Fleeing across the rooftops, Roy is shot and falls into the river with the Zephyr. Simon is kidnapped from CIA custody by Fitzgerald, the real traitor, to exist delivered to Quintana in Spain.

Returning home, June attends her sister'southward wedding, and visits an accost Roy had been monitoring, where she meets his parents and learns his real proper name is Matthew Knight. They believe their son, an Army sergeant and Eagle Watch, was killed in action, and accept won various lotteries and sweepstakes they do non retrieve entering. Leaving a message on her ain answering machine declaring she has the Zephyr, June is taken by Quintana's men to Sevilla.

Drugged with a prototype truth serum, June explains that Roy'due south bargain with Quintana was meant to alarm the CIA so June would be returned home safely in time for the wedding. Roy tracks Fitzgerald, rescues June, and leads Quintana and his men on a car chase. Quintana is killed by a bull stampede, and Roy trades Fitzgerald the Zephyr for Simon. Fitzgerald shoots at Simon anyway, simply Roy takes the bullet. Simon reveals that the bombardment is unstable, and it explodes, killing Fitzgerald.

Roy is hospitalized in Washington, D.C., where George tells him June has moved on, and welcomes him back to the CIA; however, George's coded language reveals that he will be killed. June, disguised as a nurse, drugs Roy and breaks him out of the hospital. Waking up in the rebuilt GTO, Roy and June drive toward Cape Horn, and his parents unexpectedly receive their own tickets there.

Cast [edit]

  • Tom Cruise as Roy Miller/Matthew Knight
  • Cameron Diaz every bit June Havens
  • Peter Sarsgaard as John Fitzgerald
  • Jordi Mollà as Antonio Quintana
  • Viola Davis as CIA Director Isabel George
  • Paul Dano every bit Simon Feck
  • Falk Hentschel every bit Bernhard
  • Marc Blucas as Rodney
  • Lennie Loftin every bit Braces
  • Maggie Grace as April Havens
  • Rich Manley as Danny
  • Dale Dye as Frank Jenkins
  • Celia Weston equally Molly Knight
  • Gal Gadot as Naomi
  • Jack O'Connell as Wilmer

Production [edit]

Development [edit]

Before film director James Mangold signed on to Knight and Day, it was previously associated with manager Tom Dey.[ix] More than 12 writers contributed to the pic. The Writers Guild of America, Due west, decided that due to this large number of contributors, only Patrick O'Neill, who had worked on the first layout of the script, would get credit.[nine] Other writers that worked on the film's script included Scott Frank, Laeta Kalogridis, Ted Griffin, Dana Trick, and Simon Kinberg.[9]

Casting [edit]

The film inverse lead cast members multiple times while the production was mired in "evolution hell".[ten] Prior to finalizing on actors Tom Cruise and Cameron Diaz, when the film was titled Wichita, comedian and actor Adam Sandler was offered a starring role in the film; he declined, proverb, "I only don't see me with a gun."[10] Wichita was developed under production at Revolution Studios; the film was later moved to Sony Pictures.[10] At Sony Pictures, actors Chris Tucker and Eva Mendes were slated to portray the two lead roles in the flick; information technology was titled Trouble Man and intended every bit a romantic vehicle film for the two actors.[9] [10]

After Tucker and Mendes dropped out of the pb roles, Diaz signed on to the film with Sony Pictures, and actor Gerard Butler met with production staff regarding starring opposite Diaz.[10] Butler instead decided to have on the pb role in the picture show The Compensation Hunter, opposite actress Jennifer Aniston.[10] Tom Prowl, who at the fourth dimension was auditioning for parts in five films, including Salt, and The Tourist,[10] decided he wanted to star in Knight and Day, and he wanted to alter the role of the male lead character with his own ideas.[ten]

Financing [edit]

The film's production partners, New Regency and Dune Entertainment, offset financing for the film by paying Tom Cruise a lower advance fee than he normally received.[5] Cruise previously commonly received $20 one thousand thousand or college in an accelerate fee, only he but received $11 1000000 for Knight and Day.[5] Cruise as well agreed non to receive showtime-dollar gross, which was customary for him.[5] That meant that Cruise would non receive a share of the film's revenue until Knight and Day funding investors had first gained back their investment in the production.[5] In total, product costs for the film exceeded $125 million.[11]

Filming [edit]

Main photography began in mid-September 2009 in Boston and Bridgewater, Massachusetts. Drome terminal scenes were filmed at Worcester Regional Airport. Filming besides took place in Melrose, Danvers, and New Bedford, Massachusetts.[12] Filming was also done in Spanish cities Seville and Cadiz, the Austrian city of Salzburg,[13] and the Jamaican town of Port Antonio.[14]

Soundtrack [edit]

The Black Eyed Peas recorded a theme song for the film, titled "Anytime".[15]

Marketing [edit]

Knight and Day had been set for a June 25, 2010, release date, just FOX moved its debut upwardly two days to June 23;[sixteen] in the face of poor initial tracking numbers.[17] [18] The New York Observer analyzed the marketing for the picture, which included an endeavour at pushing a "viral video" of the two main stars; journalist Christopher Rosen commented on the desperation level of the publicity campaign, "the marketing for this matter has seemed more than intrusive and drastic than any other big-ticket release in some time."[eighteen] Film producer Don Carmody commented negatively regarding the picture show's trailer, calling it "deadening", and said the film would not do well because of the age of its two stars, "Cameron Diaz I recollect was a star, but she'due south no longer a star. Some of those stars are getting a fiddling up in that location (in age)."[19] The Hollywood Reporter noted that "potential viewers remain startlingly indifferent to whether they actually end up seeing information technology. And attention thus far is nonetheless fatigued mostly past those nether 25, which indicates that the fans who grew up with star Tom Cruise have moved on."[17]

FOX attempted to increase word of mouth advert for the film past showing a sneak preview on June nineteen, 2010;[20] the Los Angeles Times reported the same day that pre-release surveys determined that the film was likely to become a commercial flop.[five] Projections indicated that the film would merely brand $20 1000000 at the box office;[five] much less than the film production toll of $125 1000000.[21] [22] FOX production President Emma Watts said of the moving picture's commercial prospects, "We aren't exactly where nosotros hoped we would be."[five] The Los Angeles Times noted that "... Cruise and Diaz are non as pop with younger moviegoers, who often drive big opening weekends in the summer. ... Among teenage and college-historic period males, the movie is barely registering, according to people who have seen the survey results."[5] New York Mag reported the film was "tracking miserably" prior to its outset calendar week.[21] New York Magazine reported that "one of the film's biggest handicaps: its star, Tom Cruise".[21] A Play a trick on official commented to New York Magazine regarding the film's pre-release polling information, "at those numbers, we tin't open up the picture right now. Hopefully, they'll change in the next few days."[21]

Upon hearing that tracking data on June 22, 2010, showed the film was not likely to produce revenue over $30 million in its first five days on screen, a Play a trick on executive told TheWrap he was "confounded", and commented, "Tracking says 1 thing, just our sneak previews this weekend said something totally unlike. ... but if yous look at the empirical data, we're nowhere."[23] New York Mag reported that the mean solar day prior to the film's release, a long scene from Knight and 24-hour interval was fabricated available on iTunes, in an effort to improve the lackluster 28–31% "definite interest" level of the movie.[24] After results were reported from the film's initial debut, Play a trick on distribution executive Bruce Snyder commented to The Hollywood Reporter, "It'southward an developed movie opening on a Midweek, merely we opened it in that location and snuck it on Sat because we believe the discussion-of-mouth volition be expert, so we're set for a pretty practiced opening weekend. Remember, it's an original, adult pic, which we await will run for quite a while."[xx]

Culling versions [edit]

An "extended cutting", which adds viii minutes of footage mostly extending scenes and a new opening that better establishes June Haven's profession as a car restorer, was released on Video On Demand in North America. Equally of Jan 2011[update] information technology had not been released in DVD region 1, though information technology had been released in regions 2, 3, and four.[25]

Reception [edit]

Box function [edit]

Knight and Day grossed $76.4 million in the United states and Canada and $185.5 million in other territories for a worldwide total of $261.9 million.[three] It performed poorly at the box function in its debut, with a take of US$three.8 million the mean solar day afterwards its initial June 23, 2010, release, from ticket sales in the Us and Canada.[26] [27] This was much less than the motion picture Toy Story 3, which earned $xiii million at the box office on the same day.[26] Knight and Day did not place within the meridian l all-time Wednesday pic openings.[26] An analysis of the opening day results past Box Office Mojo noted information technology was the worst attended activity film debut for Tom Cruise since his appearance in the 1986 Fable.[28] It was the lowest-grossing opening 24-hour interval for Cruise in a leading function since his performance in the 1992 film Far and Away.[28] Cruise's last starring role prior to Knight and Day, in the 2008 picture Valkyrie, generated $8.5 one thousand thousand on its opening day.[28] The previous movie with Cameron Diaz and Cruise every bit the lead roles, Vanilla Sky, garnered $8.9 million on its opening 24-hour interval.[28]

Moira Macdonald of The Seattle Times characterized the film's initial acquirement results equally "a box-office disappointment";[29] Lou Lumenick of New York Post commented, "Not great numbers";[30] journalist Roger Friedman noted for Hollywood News, "Bad reviews didn't help. 'Chiliad&D' has registered only 52% on Rotten Tomatoes. Even those reviews counted every bit positive weren't so adept. They were stretching.";[31] Nicole Sperling of Amusement Weekly noted, "audiences just aren't showing up the way Fox might take hoped";[32] and Ben Fritz of Los Angeles Times chosen the pic'due south debut a "soft" opening,[33] and commented, "It wasn't a practiced offset day or night at the box office for 'Knight and 24-hour interval.'"[26]

The motion picture's revenues dropped 9 per centum on its second twenty-four hour period of release, earning $3.5 million in ticket sales.[34] [35] During the same period that revenues dropped for Knight and Day, ticket sales for Toy Story only fell by three per centum, The Karate Child dropped by six percent; while other films increased revenues at the aforementioned time, including, Shrek Forever After, Sexual activity and the City 2, Go Him to the Greek, Killers, and Robin Hood.[36] In its starting time weekend, Knight and Day was paired upwards against Grown Ups, a comedy film starring Adam Sandler, Kevin James, Chris Rock, David Spade and Rob Schneider.[37] The Fri of its offset weekend after release, Knight and Day took third place at the box part, behind both Grown Ups and Toy Story 3.[38] The film brought in a total of $half-dozen.4 1000000 on its third day of release.[39]

Critical response [edit]

On Rotten Tomatoes, the film has an approval rating of 52% based on 232 reviews and an boilerplate rating of five.60/10. The site's critical consensus reads, "Information technology's pure formula, but thank you to its breezy pace and a pair of charming performances from Tom Cruise and Cameron Diaz, Knight and Twenty-four hours offers some agreeably middle-of-the-road summer action."[40] On Metacritic, the film has a score of 46 out of 100 based on 38 critics, indicating "mixed or boilerplate reviews".[41] Audiences polled by CinemaScore gave the film an boilerplate grade of "B+" on an A+ to F scale.[42]

Justin Chang of Variety, characterized the film equally "a high-energy, low-impact caper-comedy that labors to bring a measure out of wit, romance and glamour to an overworked spy-thriller template".[43] Kirk Honeycutt of The Hollywood Reporter wrote: "Bottom Line: Logic and plausibility take a holiday in this nonstop actioner that counts on stars Tom Cruise and Cameron Diaz to sell the nonsense." Honeycutt criticized the writing, "the script is too lazy to develop any of its characters – and that includes the leads", and commented, "laziness permeates the film from the inexplicable escapes to the neglected romance".[44] Michael Phillips of the Chicago Tribune criticized the script, the direction, cinematography, set up pieces, and action sequences. Phillips concluded, calling information technology "A 21st Century Deception pumped upwardly on all the wrong steroids, 'Knight and Day' may well suffice for audiences drastic for the bankable paradox known equally the predictable surprise, and willing to overlook a galumphing mediocrity in order to concentrate on matters of dentistry."[45]

Lou Lumenick of the New York Post, rated the moving-picture show with one and a half out of 4 stars, and wrote, "this is a big, dumb summer movie with no apparent ambition other than plugging a hole in a studio's schedule considering its faded star happened to be available for a few weeks."[46] Emanuel Levy was critical of the film'due south writing, calling it a "mindless picture"; he noted, "The story moves at a breakneck speed, as if to muffle the incongruities in the storytelling." Levy gave the film a grade of "C", and commented, "Preposterously plotted, the saga is dominated by long, energetic, uneven activity sequences, but information technology lacks whatever logic and pays minimal attention to characterization. Repetitious in structure, and with humor that generally misses the mark, 'Knight and Solar day' is characterized by nihilistic violence and amoral tone, which wouldn't have mattered had the movie been witty or fun to lookout man."[47] Simon Abrams of Slant Magazine gave the film a rating of two stars out of iv, and commented of the film's director and author, "Clearly O'Neill and Mangold are trying to requite viewers what producers would undoubtedly like to sell as 'something for everybody,' just there'south no consistency to the affair and no chemistry whatsoever between Cruise and Diaz, making the alternating tug-of-war between girly and manly elements of the picture seem extraordinarily forced."[48] Rene Rodriguez of The Miami Herald wrote that there was "no chemistry between Cruise and Diaz", and commented regarding Cruise's acting, "Tom Cruise spends much of 'Knight and Twenty-four hours' looking as if he's waiting for someone to pour casting mold over his caput to make an action effigy."[49] Peter Howell in the Toronto Star commented, "There is supposed to exist romance in Knight and Day — and Diaz is upwards for it — just Cruise still looks equally if he's taken charisma lessons from Al Gore."[l]

Entertainment Weekly's Lisa Schwarzbaum gave Knight and Twenty-four hours a course of "C+", and compared it to the 2010 motion-picture show Killers starring Katherine Heigl and Ashton Kutcher, "The producers assume that audience interest in movie stars is bigger than audience interest in characters. The decision is overdetermined, since Roy and June are such flimsy constructions. ... At least they're not Katherine Heigl and Ashton Kutcher in Killers."[51] Colin Covert of Star Tribune made a similar comparing, "The film looks unambitious, like a remake of 'Killers,' the Ashton Kutcher-Katherine Heigl guns-and-giggles toss-off everyone has already forgotten, only with bigger stunts and more than star wattage."[52] In a review for The Huffington Post, critic Marshall Fine observed, "the movie bubbles happily for almost an hour before it flags".[53] Robert Bell of Exclaim! wrote of the script, "Sure, things slow down a bit around the midway indicate, making information technology clear that in that location is very little going on here aside from cheesy escapist fantasy, but things quickly pick up again, engaging us in the moment of a flick that knows exactly what mainstream trash movie house should be."[54] In a review for the Orlando Sentinel, critic Roger Moore commented, "The blase plot devices (a gadget, the nerdy guy who invented it), the bland villains, the as well-fast dash through exotic locales, don't affair and so long as Cruise and Diaz click and spark their scenes – chases and embraces – to life. And Prowl, hurling himself at this as if his Mission: Incommunicable futurity and indeed his whole career depended on it, makes sure they do."[55]

The Wall Street Journal critic Joe Morgenstern commented, "'Knight and Day' woke me upwards to only how awful some summertime entertainments have get. It isn't that the film is harmful, except to moviegoers' wallets and film lovers' morale, merely that it is truly phenomenal for the purity of its incoherence."[56] Writing for the Chicago Sun-Times, Roger Ebert rated the movie 3 stars out of 4 and wrote, "'Knight and Day' aspires to the light charm of a romantic action comedy similar 'Deception' or 'Romancing the Stone,' but would come closer if it dialed down the relentless action. The romance office goes without saying after a Meet Cute contrived in an airport, and the one-act seems to generate naturally between Tom Cruise and Cameron Diaz. Simply why do and so many summer movies find it obligatory to inflict u.s. with CGI overkill? I'd sorta rather run into Diaz and Prowl in action scenes on a homo scale, rather than have it rubbed in that for long stretches, they're essentially replaced by blitheness."[57] Ty Burr of The Boston Globe stated, "The picture show's a piece of high-octane summer piffle: fashionable, funny, brainless without being too obnoxious about it, and Cruise is its manic animating principle."[58] Writing for the Associated Press, Christy Lemire commented, "Prowl's presence also helps keep things light, informal and watchable when the action – and the story itself – spin ridiculously out of command."[59] Bill Goodykoontz of The Arizona Commonwealth observed, "Mangold, working from a script by Patrick O'Neill, accelerates events in a way that is either a perfect representation of how current action films are made or a sit-in of everything that's wrong with movies today. Maybe it's both."[60] CNN'south Tom Charity commented, "in that location's a creeping anxiety about this projection, a tendency to over-compensate that speaks to underlying inadequacies."[61]

See likewise [edit]

  • Blindside Bang!, 2014 Bollywood film and remake of Knight and Day

References [edit]

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  49. ^ Rodriguez, Rene (June 23, 2010). "Review – No chemical science between Prowl and Diaz in lackluster 'Knight and Day'". The Miami Herald. www.miamiherald.com. Retrieved June 23, 2010.
  50. ^ Howell, Peter (June 22, 2010). "Knight and Day: No funny business organisation hither". Toronto Star. www.thestar.com. Retrieved June 22, 2010.
  51. ^ Schwarzbaum, Lisa (June 22, 2010). "Knight and Twenty-four hour period". Entertainment Weekly. www.ew.com. Retrieved September 1, 2021.
  52. ^ Covert, Colin (Star Tribune) (June 21, 2010). "On the eve of Knight and Day,' examining the enigma that is Tom Prowl". Miami Herald. www.miamiherald.com. Retrieved June 21, 2010.
  53. ^ Fine, Marshall (June 21, 2010). "Movie review: Knight and 24-hour interval". The Huffington Mail. www.huffingtonpost.com. Retrieved June 21, 2010.
  54. ^ Bell, Robert (June 21, 2010). "Knight and Day Review". Exclaim!. Canada: world wide web.exclaim.ca. Archived from the original on Feb xix, 2013. Retrieved June 21, 2010.
  55. ^ Moore, Roger (June 21, 2010). "Movie Review: Knight and Solar day". Orlando Sentinel. www.orlandosentinel.com. Retrieved June 21, 2010.
  56. ^ Morgenstern, Joe (June 25, 2010). "Not the Day for 'Knight'". The Wall Street Journal . Retrieved June 25, 2010.
  57. ^ Ebert, Roger (June 21, 2010). "June 21, 2010". Chicago Sun-Times. RogerEbert.suntimes.com. Retrieved September 1, 2021.
  58. ^ Burr, Ty (June 22, 2010). "Knight and Day". The Boston Globe. www.boston.com. Retrieved June 22, 2010.
  59. ^ Lemire, Christy (Associated Printing) (June 21, 2010). "Review: Charismatic Cruise enlivens 'Knight & 24-hour interval'". San Francisco Chronicle. www.sfgate.com. Retrieved June 22, 2010.
  60. ^ Goodykoontz, Pecker (June 21, 2010). "Knight and Day". The Arizona Republic. www.azcentral.com. Retrieved June 22, 2010.
  61. ^ Clemency, Tom (June 25, 2010). "'Knight and 24-hour interval': Cruise loses command". CNN. Fourth dimension Warner. Retrieved June 25, 2010.

External links [edit]

  • Official website
  • Knight and Twenty-four hours at AllMovie
  • Knight and Mean solar day at Box Function Mojo
  • Knight and Day at IMDb
  • Knight and Day at the TCM Motion-picture show Database
  • Knight and Day at Metacritic Edit this at Wikidata
  • Knight and Solar day at Rotten Tomatoes
  • Knight and Day Soundtrack

Source: https://en.wikipedia.org/wiki/Knight_and_Day

Posted by: salinasfics1951.blogspot.com

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